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ALTEC LANSING INDUSTRIAL PROFESSIONAL SOUND PRODUCTS POWERED MIXER LIST

Altec Powered Mixers

 

 

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PS2100A Powered Mixing Console

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PRIMARY SPECIFICATIONS


Single Channel
Power Output: 100 watts average continuous power into 8 ohms, 1 kHz.

150 watts peak into 4 ohm load, IHF dynamic headroom test signal, 1 kHz)

Minimum Load Impedance: 4 ohms per channel

Total Harmonic Distortion:
Mixer Output: < 0.02% at +4 dBu typical. < 0.05% maximum.
Amplifier Output: < 0.02% at 100 watts into 8 ohm, 1 kHz typical. < 0.05% maximum.

Signal/Noise Ratio: 100 dB, below full amplifier output, all faders down.

Output Noise, Absolute:
Mixer Output: -70 dBu, all faders at nominal setting, 44 dB gain.

Equivalent Input Noise: -115 dBu, measured at preamp output (maximum gain)

Maximum Input Level:
Low-Z inputs: +6 dBu (1.5 Vrms)
High-Z inputs: +26 dBu (19.95 Vrms)
Inputs 9 and 10: +10 dBu (3.16 Vrms)

KEY FEATURES
• 100 Watts Per Channel Into 8fl
• Portable and Lightweight
• 8-Band Stereo Graphic Equalizer
• Peak-Limited Spring Reverb

DESCRIPTION

The ALTEC LANSING® PS2100A powered mixing console is a stereo mixer with ten inputs and two built-in power amplifiers. The power amplifiers are rated at 100 watts per channel into 8 ohms and 150 watts (peak) into 4 ohms. The unit has a balanced, lightweight, and durable chassis with a recessed front panel for controlknob protection.
The mixer consists of eight input channels, each of which may be used as either a balanced mic input or a high-impedance line input. Each of these channels has a gain control with a clip LED, an independent monitor send, a three-band equalizer, an effects-reverb send, a pan pot, and a slide fader.
The mixer also contains two auxiliary input channels for high-impedance line or tape sources. These channels have independent monitor sends, pan pots, and slide faders.
The master section of the mixer is made up of two power amplifiers, two eight-band equalizers, peak-limited spring reverb, and master reverb level controls. A stereo/mono mode switch allows switching between normal stereo operation and mono with monitors. The mode switch assigns amplifiers and equalizers with no patching required.

 

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